Paris spells r-o-m-a-n-c-e, oodles of it. Those who've visited cannot get enough. Those who haven't cannot stop wishing
Great Grand Masti is neither great nor grand, and it doesn't have any masti elements either, warns Namrata Thakker.
A Nedumudi Venu character was happiest when moving his head to a piece of music with his eyes closed; or, when inventing off of a note that a co-actor had left unfinished; or, when reciting a poem by Kavalam Narayana Panicker where a hymn about nature descends into a musing about cheating, depression and death, feels Sreehari Nair.
Cupid has played its role for years in the 200-year-old Presidency University in Kolkata but for the first time, love will now become a subject of study in its undergraduate curriculum. The unique interdisciplinary course on love would be offered by the varsity's sociology department and would be available to students of all streams as a 50-mark optional paper.
Sukanya Verma lists her favourite frames from Hum Dil De Chuke Sanam.
Baahubali is a spectacular achievement, which not only deserves its place in history but also proves filmmakers should dream big and more often, feels Sukanya Verma.
'In a world where the corridors of power are packed with sexually promiscuous men, it would be interesting to see what sort of a president a man committed to one woman 25 years his senior would make.'
The globally popular Fast and Furious' last installment is weighed down by mundane dialogues and plot points, says Paloma Sharma.
Siva Sankar looks at S P Balasubrahmanyam's fantastic repertoire.
On his 55th birthday, Sukanya Verma celebrates his inimitable ways in 10 scenes that she keeps returning to time and again.
Saluting the late music composers most memorable film songs.
Aseem Chhabra looks at the year's best Non-Hindi Indian movies.
It has been 20 years since the Kargil War. Sukanya Verma look back at Lakshya, Farhan Akhtar's memorable film that was inspired by the war in the icy heights where young Indian soldiers fought tireless battles to evict Pakistani troops from our territory.
Raja Sen takes stock of the five Oscar nominees for Best Actress.
Mahira Khan talks about her Raees experience.
Sukanya Verma lists her five BEST and WORST Bollywood movies of 2019.
Rajinikanth gave a realistic portrayal in his 2016 release Kabali.
Simmba is a dhamaka from the start till the end.
Kangana Ranaut's guts, Amitabh Bachchan's venomous threat and dark TV serials occupied Sukanya Verma's super-filmi week.
The latest Bollywood updates.
'There's no love for the song or Madhuri, no consideration for what it meant to an entire generation and zero respect for its iconic choreography,' says Sukanya Verma.
She sung a song for every mood, every situation. Sukanya Verma dives into Asha Bhosle's magnificent repertoire and pulls out gems on her 85th birthday.
The latest updates from the Telugu film industry.
Director Raghava Lawrence's Kanchana 2 is an enjoyable horror comedy about six ghosts who are out to avenge their deaths.
Sukanya Verma takes us down beautiful bridal history.
'Bharat is a Salman Khan film, where the main course is Salman Khan.' 'I am the aachar or papad in it.' 'It's on the table, so if you are fond of papad, then please have it with the main course.'
'Kaashmora was is enjoyable and lighter while Baahubali was serious drama. Karthi gears up for his next release.
Sukanya Verma glances at Virushka's photo album of loveliness.
One sees a lot more of the aliens in this edition though not necessarily in a good way, wites Sukanya Verma.
Were these actors offbeat or off the mark?
Some of Bollywood's top directors started very young.
'"You have everything that it takes".' 'I always had a filmi keeda.'
Fascinating films based on true stories you might want to catch this year.
Massu Engira Masilamani is yet another trademark Venkat Prabhu entertainer.
Aseem Chhabra lists 10 of his favourite films that played in various sections at the 74th Cannes Film Festival.
Sukanya Verma talks about her yet another fun filmi week!
Jackie Chan knows just how to make a press conference exciting.
